The Dandelion: the gardener's bane and the photographer's muse. A springtime delight turning green fields yellow and then grey. Some flowers are pretty but don't photograph particularly well. Others seem more mundane at first glance, maybe because we see them everywhere, but take a closer look and you'll see a different picture, whether flower or seed heads.
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| A New Sun || Olympus f16, 1/1600 s, ISO 200 |
They inherently possess three elements that naturally make for strong images; both flower and seed head are complex yet repetitive. Repetitive patterns catch the eye and emphasise structures and light. The flowers are a cardinal colour, a bright solid yellow that stands out from any background - although they also lend themselves to monochrome conversion. Lastly, the seeds form a translucent globe that, from close and down low, give great pictures against the sky.
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| Anthers || Olympus f10, 1/2000 s, ISO 800 |
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| Stripped of Colour || Olympus f10, 1/2000 s, ISO 800 |
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| Glowing Orb || f20, 1/500 s, ISO 200 |
Sometimes imperfection is also eye-catching, as with the half-finished dandelion clock.
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| Perfect Imperfection || Olympus f16, 1/200 s, ISO500 |
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| Complex Perfection || Olympus f20, 1/160 s, ISO 640 |
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| Detail || Olympus f20, 1/100, ISO 1600 |
What looks like sepia conversions are in fact the natural colours straight out of the camera.
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| In a Field of their Own || Olympus f8, 1/1000 s, ISO 200 |
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| Globes || Olympus f16, 1/200 s, ISO 320 |
A lot of these images were taken lying prone in the field. For the real close-ups (I deliberately don't use the term "macro" as technically they're not) I used a +3 diopter magnifier screwed into the front of the Zuiko F4 12-100 mm, which even without help is a great near lens with a minimal focal distance of 7.5 cm.
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| Against the Sun || Olympus f16, 1/100 s, ISO 200 |
